It has to be magical the sheer ecstasy of true love and perhaps a little intoxication too. M2 is so typically S-J that if someone was to play this anywhere, without even knowing the song, you would say S-J. The notes are indicating muted joy at the discovery of their love and at the next moment the awe of having moved into unknown (and as deep as the sea) territory.Īnd Shailendra’s lyrics seamlessly fit after M1: Superb picturisation in words by Shailendra. The origin of this duet is: Seene se uthkar honthon pe aaya. So at the end of the second stanza when he says the following (hats off to Shailendra for having thought of that), it doesn’t sound as a ridiculous boast: At this juncture, let me tell you how confidence builds up for him as the song progresses. His doubts are naturally about his being poor and she being a millionaire’s daughter.
He too has his doubts which are in prominence in the second part of the prelude. These are mixed feelings depicted in the prelude though you feel that probably the joy is more in focus than other emotions. The prelude with the notes of accordion starts with joyous feeling but with shyness (of her being a woman those were not the days when women could express love openly) and the fear of the unknown. NOW, she has suddenly understood that he isn’t Anari anymore and that this is the love of her life. Earlier, in another Chand song she had teased him for being Anari (Naive): समझने वाले समझ गये हैं, न समझे, न समझे वो अनाड़ी हैं I Elsewhere, I had already brought out that this song is an extension of those emotions. Prelude is so beautifully enacted by Nutan that it leaves me totally stunned. Sorry for labouring on this to this extent but if you have got this right, there would be no problem in understanding the prelude, M1, M2 and M3.
They are just looking into each other’s eyes wherein not just the akaash and chand exists but the entire universe. They ain’t now looking at the chand, akaash, or anything else. Here, the couple that sings together sticks together! Please notice the effect of this coda. Remember they say the family that prays together stays together. However, just before the end piece they have finished asking questions and sing the mukhada together. The third stanza has been sung by them together but with separate lines. The first two stanzas have been sung by them separately. I need to explain it slightly more about this finality. Why am I starting from coda? Because the song and its questions are leading to something and once you have it right you will get M1, M2, M3 right! And see how beautifully this end piece has succeeded. There has to be finality about holding on to each other and nothing else. This is the time when all other emotions should recede into the background: the doubts, the questions (that the lyrics relentlessly ask in the song), and the awe of embarking into unknown territory. It results into both sealing their love with tightly holding hands. Hilarious chaos reigns when Maya assaults her cruel mother-in-law, and Ratan abducts Jaya from her marriage with Shiv. Things heat up when Dayashankar and Ratan’s mom (Lalita Pawar) find out that he may be Jaya’s new suitor. Then a new doctor (Talat Mahmood as Talat) arrives in this village to look after the charitable dispensary. The other suitor for Jaya is Ratan (Abhi Bhattacharya), whose mother would like her to re-marry her son as his wife, Maya (Nirupa Roy), is unable to conceive. Dayashankar is anxious to get Shiv married so that he can get some dowry from Gokul. Since Jaya is or marriageable age, he has arranged her marriage with hard-of-hearing Shiv, the son of Dayashankar (Bipin Gupta), who is the President of the Gram Panchayat. Jaya (Mala Sinha) lives in a village called Chandangaon in India along with her widower dad, Gokul (IS Johar), who works for a living as a compounder, but calls himself a Homeopathic doctor and dispenses Arnica for all kinds of ailments, especially since there is no qualified doctor in the village.
To understand the song better here is the story-line:
#O SAJANA BARKHA BAHAR AAYI MOVIE#
It is from the 1957 movie Ek Gaon Ki Kahani that starred Talat Mehmood, Mala Sinha and Abhi Bhattacharya. This one has been sung by Talat Mehmood who perfected the tremor in his voice.
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